Eddie Gomez, who was to play with The Bill Evans Trio in. 2003); Phil Palombi, Scott LaFaro: 15 Solo Transcriptions, (New York, Palombi. The final song to complete my sample is the trio's performance of Nardis taken from the 1961 album. ![]() Contents • • • • • Composition [ ] From 1955 to 1958, Miles Davis was leading what would come to be called his. By 1958, the group consisted of on, on, on, and on, and had just been expanded to a sextet with the addition of on. Coltrane's return to Davis’s group in 1958 coincided with the 'modal phase' albums: (1958) and (1959) are both considered essential examples of 1950s modern jazz. Davis at this point was experimenting with modes—i.e. Scale patterns other than major and minor. In mid-1958, replaced Garland on piano and replaced Jones on drums, but Evans too left after eight months, replaced by in late 1958. This group backing Davis, Coltrane, and Adderley, with Evans returning for the recording sessions, would make Kind of Blue, often considered. Adderley left the band in September 1959 to pursue his own career, returning the line-up to a quintet. In July 1958, Evans appeared as a sideman in Adderley's album, that featured the first performance of 'Nardis', specially written by Davis for the session. While Davis was not very satisfied with the performance, he said that from then on, Evans was the only one to play it in the way he wanted. ![]() The piece would come to be associated with Evans's future trios, which played it frequently. [We're gonna] finish up featuring everyone in the trio with a Miles Davis number that's come to be associated with our group, because no one else seemed to pick up on it after it was written for a Cannonball date I did with Cannonball in 1958—he asked Miles to write a tune for the date [the album Portrait of Cannonball], and Miles came up with this tune; and it was kind of a new type of sound to contend with. It was a very modal sound. And I picked up on it, but nobody else did. The tune is called 'Nardis.' — Interview at Ilkka Kuusisto's home, ca.1970, Bill Evans The use of the and the in this tune is also present in other 'Spanish' works from those dates, like Davis's. Davis never recorded 'Nardis', and Adderley only did once. George Russell recorded it on his album 'Ezz-Thetics.' The John Abercrombie Quartet recorded it on the album 'Up and Coming'. Download game gta san andreas full version indonesia embassy. Bill Evans [ ] Unlike Davis and Adderley, 'Nardis' was an important part of Bill Evans repertoire, as it appears in many of his albums: (1960), (1961), (1963), (1964), (1968), (1969), (1969), 'Live at the Festival' (1972), (1979), (1980), and (1980). It also appears on many of Evans's filmed appearances. Form [ ] Nardis makes use harmonically and melodically of the and the (technically known as the ), and it is set in. Bill Evans usually played the piece in. Chords in Nardis as played by Bill Evans Section Harmony A (mm.1-8) Em 7 Em 7 Fmaj 7 B 7 Cmaj 7 Am 7 Fmaj 7 Emaj 7 Em 7 A (Mm.9-16) Em 7 Em 7 Fmaj 7 B 7 Cmaj 7 Am 7 Fmaj 7 Emaj 7 Em 7 B (Mm.17-24) Am 6 Fmaj 7 Am 6 Fmaj 7 Dm 7 Dm 7 G 7 Cmaj 7 Fmaj 7 A (Mm.25-32) Em 7 Em 7 Fmaj 7 B 7 Cmaj 7 Am 7 Fmaj 7 Emaj 7 Em 7 (B 7) References [ ]. It's About That Time: Miles Davis On and Off Record. New York: Oxford University Press, 2005., pp. • • Cook, pp. • Miles Davis and Bill Evans: Miles and Bill in Black & White, Sept. 2001, Ashley Kahn,. Retrieved on August 19, 2008. Rolling Stone. Retrieved on August 19, 2008. Rate Your Music. Retrieved on August 19, 2008. • 2012-07-16 at the. Retrieved on August 19, 2008. • • Evans explicitly deems the work as very 'modal', see quote. • Among others: London (19/March/1965); Oslo (1966), Helsinki (1970); Umbria Jazz (1978); Jazz Manteniance Shop (1980). Books [ ] • Pettinger, Peter (2002) [1999]. Bill Evans: How My Heart Sings (New ed.). Yale University Press.
0 Comments
Leave a Reply. |